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John Wolbers
The Playinground
John Wolbers has written several bios for himself as an actor, but this is his first venture into the world of playwriting, other than some dreadful college pieces that will never see the light of day. He has worked extensively in St. Louis onstage and off with Metro Theater Company, the Shakespeare Festival, Opera Theatre, St. Louis Shakespeare, Muddy Waters & Theater of the Word, Inc. to name just a few. A native of Texas, he received his B.F.A. in performance from Southwestern University and has taught drama for C.O.C.A, Metro Theater, and the Shakespeare Festival.
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He is the Youth Theatre Coordinator at the Jewish Community Center and a proud member of the Slightly Askew Theatre Ensemble. He sends many thanks to First Run Theatre, Suki & Brian, the F & T kids, all the people who suffered through the earlier drafts of The Playing Ground, and to his Dadman who never had the opportunity. Much love and be blessed.
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Mario Farwell
You Know I Can't Eat Buffalo Meat When There's a Terrorist on the Loose
Mario Farwell has had his plays and musicals produced off-off Broadway in New York, in San Diego, CA, as well as in St. Louis. He graduated from the University of Missouri in Kansas City and is currently pursuing a degree in media communication at Webster University. Mario’s plays reflect the quirkiness of his own life. He has written several full-length plays, The Burning Lake, Life Among the Trees, The Last Days of Café Cafe, and The Seamstress of St. Francis Street
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| His plays have received awards from Emerging Playwrights in NYC, Scripteasers in San Diego, CA, and The Jungle Theatre in Minneapolis, MN. Mario has recently completed a new play, The Healing of Joey Padowaski and hopes to finish work on two musicals Across the Universe and Joan of Arc. Mario will also display his new series of photographs entitled Life As Drag. |
Bill Borst
The Last Memory of an Ol' Brownie Fan
Born on Labor Day, 1943 in New York City, Bill Borst holds a doctorate from St. Louis University in American History. (1972) He has taught at several area colleges. In 1973 at Maryville College, he originated the 1st accredited Baseball History course in the Midwest, landing an appearance of the NBC Today Show with Gene Shalit in May of 1974. Because of his baseball expertise and his title as “The Baseball Professor,” a name given to him by Hall of Fame sportswriter, Bob Broeg, he became a regular guest on several radio and TV shows in the St. Louis area.
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His love of baseball history led him to write and edit several articles and books about baseball, especially the old St. Louis Browns. Baseball history was the original reason that he began 22 years as a talk show host on WGNU radio. The first two years he did sports and his Ph.D. helped him land his own weekly call-in show on every subject known to man for the following 20 years. He published two books, Liberalism: Fatal Consequences (1999) and The Scorpion and the Frog: A Natural Conspiracy (2005) that were inspired by his radio broadcasts.
But baseball was in his blood. His major claim to fame has been the St. Louis Browns Historical Society that he founded in 1984 after a visit to Cooperstown for the induction of boyhood hero, Pee Wee Reese, the old Brooklyn Dodger captain. In October it will hold its 25th anniversary banquet. The club allowed him to more deeply immerse himself and the legend and lore that were the perennial doormats of the American league throughout their 52-year history in St. Louis.
It was while reading the New York Times in June of 2007 that inspiration hit him again. In reading about “The Philly Fan,” a 70-year-old actor who did a one-man show about the Phillies history and culture, he knew he could do the same thing for the old Browns. However after starting his new project, the story transcended the pure history of the team and became more about an elderly man struggling with the beginning signs of memory loss. This everyman
character’s entire life paralleled the team’s losing historic performance on the field. A quarter century after their move to Baltimore, he realizes that his memory, and therefore his life are beginning to ebb away from him. The Last Memory of an Ol’ Brownie Fan is the result.
Two more inspirations closely followed, including A Perfect Choice, scheduled to be produced by The Theater of the Word in October at the Rigali Center, and his latest play, A Moment of Grace, which is still in development.
In his “spare” time he writes the monthly Mindszenty Report, devoted to cultural issues, (mindszenty.org), contributes regularly to the St. Louis Review and is a regular substitute for Phyllis Schlafly’s weekly program on KSIV radio. Most importantly he has been married to Judy his wife of over 42 years and they have three adult children* who really seem to like them and four grandchildren that make it all seem worth their trouble.
*Someone once wrote that insanity is hereditary. You catch it from your children. Perhaps his interest in the theater is like that. His daughter, Michelle Borst-Hand is one of the founders of the Orange Girls and a winner of the 1st Kevin for Best Actress for her 2005 role in Separate Tables.
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Jason Slavik
And it shall be forgiven...
Jason Slavik, 33 years old, is a St. Louis native with an involvement in theater that stretches from childhood when he first appeared on stage at age 7 in Carousel. He has since worked with several St. Louis theater companies over the years both on and off stage. He has appeared as an actor in productions of Carousel, 1776, Cinderella, Hello Dolly (Archangel Players), Taming of the Shrew, Julius Caesar (St. Louis Shakespeare), Soviet Tango, Green Fence (Ragged Blade), and Murder in the Air (Off-Center Theatre).
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He has also worked behind stage on Henry V, Hecuba, The Trojan Women ( St. Louis Shakespeare, lighting crew), Late Afternoon, Death by Fiat, St. Francis and the Sultan (First Run Theatre, hair design), Wizard of Oz, Picasso at the Lapin Agile, The Real Thing, The Mouse Trap, The Diary of Ann Frank, (Clayton Community Theatre, hair design) Full Frontal Nudity (Ragged Blade, hair design), and Don’t Hate Me 'Cause I’m Beautiful (First Run Theatre, mask design).
Jason has been writing Science Fiction short stories for several years (none published). His first play And it shall be forgiven... is partially inspired by a visit to the Anne Frank house in Amsterdam. He has just competed work on a second play, Cold Herring, a short cold war farce and is currently working on another full length play, Behind the Chair, based on his experiences as a hair stylist.
Jason's day job is as a hairdresser at Beauty First in Brentwood. Appointments are available. Walk-ins are welcome.
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